If you don't know what "La Tomatina" is...look up now.
Monday, 10 December 2012
Monday Wanderlust
For the longest time I've had a very strong desire to live and teach in a spanish-speaking country. Becoming fluent in Spanish, warm weather, LA TOMATINA, and many dancing-filled nights are just a few of the countless reasons. Programs like this make me ridiculously excited for what's to come following my graduation... ://www.ciee.org/teach/spain/. Need to start researching on the daily.
Sunday, 9 December 2012
Came across while writing a paper...
"We do not really see through our eyes or
hear through our ears, but through our beliefs. To put our beliefs on hold is
to cease to exist as ourselves for a moment." - Lisa Delpit
Friday, 7 December 2012
Playing the Part
Villa
Livia (Rome, 2009)
People taunt, call me potions mistress,
I hear whispers and refuse to flee,
I play consort, mother, widow, dowager,
Curtain calls are few, costume changes often,
Rome
is my stage,
The world is my critic,
The public is my mocking, laughing, angry, loving audience
Tragedy and drama are the game,
Comedy is dark, laughter hollow,
Haughty is the understudy for suffering,
Power for passion,
Today I am the playwright,
Tomorrow I play fictional characters,
Empress-mother-wife-conniving-manipulating-lover-dignified-murderer
End scene.
Are you entertained yet?
I could pretend there is an end to life’s little games;
people deceive, play make-believe,
Shut out senses, twisted metal defenses,People taunt, call me potions mistress,
I hear whispers and refuse to flee,
I play consort, mother, widow, dowager,
Curtain calls are few, costume changes often,
The world is my critic,
The public is my mocking, laughing, angry, loving audience
Tragedy and drama are the game,
Comedy is dark, laughter hollow,
Haughty is the understudy for suffering,
Power for passion,
Today I am the playwright,
Tomorrow I play fictional characters,
Empress-mother-wife-conniving-manipulating-lover-dignified-murderer
End scene.
Are you entertained yet?
Thursday, 6 December 2012
Tuesday, 27 November 2012
The Awakening
Rome 2009 The Exile prompt
Spoke of a place always dark where the route to escaping was blurred.
You asked me why I never came to help.
Why the thoughts never stopped.
You repeated again and again “no more, I want to hear no more.”
But when you tried to shut out the sound with your hands pressed against your ears the voice didn’t leave.
I ask what happened.
The voice went away, you said,
Ten years of silence and contemplation.
*Picture taken by me on the steps of Palazzi di Campidoglio
You came to me with eyes wild, scared.
Your hands trembled while you spluttered out incoherent
words.Spoke of a place always dark where the route to escaping was blurred.
You asked me why I never came to help.
Why the thoughts never stopped.
You repeated again and again “no more, I want to hear no more.”
But when you tried to shut out the sound with your hands pressed against your ears the voice didn’t leave.
I look at your face now, serene, in a dream,
You float about, meditative; you say you feel clean,I ask what happened.
The voice went away, you said,
Ten years of silence and contemplation.
*Picture taken by me on the steps of Palazzi di Campidoglio
Saturday, 17 November 2012
“If you’re not prepared to be wrong, you’ll never come up with anything original.”
I have probably seen this video over 10 times but every time I see it I am reminded of why I want to go into teaching. If you haven't already listened to the amazingly inspiring Sir Ken Robinson, watch now:
http://www.ted.com/talks/ken_robinson_says_schools_kill_creativity.html
http://www.ted.com/talks/ken_robinson_says_schools_kill_creativity.html
Tuesday, 13 November 2012
Monday, 12 November 2012
Tuesday, 6 November 2012
Mental Health.
Why am I blogging? Firstly, I've always wanted to. Deep down we all want to share ourselves with others in a new way. Amaze them with our so called uniqueness. Sharing myself to whoever is reading is a position of vulnerability I haven't put myself in before. On top of that, anyone who knows me understands that I am not particularly tech savvy. For all I know I'm talking to myself... hello?
Now to the point- I'm at that time in my master's program where a creative release is necessary or I might go crazy. That's not really an exaggeration. Coming from an English lit/creative writing background, it has been a huge adjustment. There was a time I spent my weekday evenings sipping tea, Earl Grey of course, and pondering the meaning of Shakespeare's sonnets. Now I spend my time analyzing a student's phonological and phonemic awareness. Don't get me wrong, I am so excited that by next June I will be a certified teacher but a girl needs to take care of her "mental health." Anyone who has been through a master's program will know that this is no joke.
For now this blog will be a place for me to post poetry/prose I have written over the years (and recently) as well as share my reflections and ponderings about life. Hopefully it doesn't manifest into random ramblings, something I am notorious for.
With love,
Helen Madhavi
Now to the point- I'm at that time in my master's program where a creative release is necessary or I might go crazy. That's not really an exaggeration. Coming from an English lit/creative writing background, it has been a huge adjustment. There was a time I spent my weekday evenings sipping tea, Earl Grey of course, and pondering the meaning of Shakespeare's sonnets. Now I spend my time analyzing a student's phonological and phonemic awareness. Don't get me wrong, I am so excited that by next June I will be a certified teacher but a girl needs to take care of her "mental health." Anyone who has been through a master's program will know that this is no joke.
For now this blog will be a place for me to post poetry/prose I have written over the years (and recently) as well as share my reflections and ponderings about life. Hopefully it doesn't manifest into random ramblings, something I am notorious for.
With love,
Helen Madhavi
Monday, 5 November 2012
Catacombs
Rome 2009
It’s 8 a.m. and all I can think is another excursion into the world of the dead. We groggily climb onto the bus, curl up on the seats and fall asleep. Outside the city we find all the hidden green ofRome : intoxicating fragrance of honeysuckle
wafting over the warm earth, mingling with the scent of water evaporating off
tall weeds already baking in the morning sun. Entering the catacombs we
surrender the light and temperate weather for the cool air that urges us down a
steep staircase leading to dark, mysterious shadows below. My nostrils flare at
unfamiliar scents; the stale air leaves a dank taste in my mouth. Gaps in the
walls where stony bodies once lay are empty, and I avert my eyes and quicken my
pace in case a hand decides to reach out and claim me. Our tour guide walks
ahead, talking loudly; voices echo back in quiet whispers. The shafts once
providing sunlight are closed now and the feeling of old souls lingering magnifies
with such intensity that I involuntarily edge closer to the warm living bodies.
We walk down narrow cramped passageways where the only sources of light are dim yellow bulbs flickering overhead. Off to the side tunnels with reflective plastic sheets block off more tombs submerged in eternal night. Above is tarp, water droplets slide down slowly telling of gloom and wet on the other side. Moving deeper into the earth, pungent scents of damp soil and beetles overtake me. Our guide explains that pilgrims still come down to worship and pray. I wonder how one finds peace among the dead, among souls trapped with no means of escape. Long ago, Christians hiding from persecution, sitting among friends and family members, shivered and wept, faint oil lamps easily extinguished by a draft or water droplet, the smell of death overpowering and fresh. The hallways shrink, frescoes intending to be cheerful fade, as the all-consuming darkness drains the life from them. A voice cries, “I need someone to lead us to the light.” Climbing up the stairs I feel the smell depart as I exhale, the darkness slide off my skin as I shrug, and the whispering fades behind as I cross the threshold between the two worlds. Then… warmth.
It’s 8 a.m. and all I can think is another excursion into the world of the dead. We groggily climb onto the bus, curl up on the seats and fall asleep. Outside the city we find all the hidden green of
We walk down narrow cramped passageways where the only sources of light are dim yellow bulbs flickering overhead. Off to the side tunnels with reflective plastic sheets block off more tombs submerged in eternal night. Above is tarp, water droplets slide down slowly telling of gloom and wet on the other side. Moving deeper into the earth, pungent scents of damp soil and beetles overtake me. Our guide explains that pilgrims still come down to worship and pray. I wonder how one finds peace among the dead, among souls trapped with no means of escape. Long ago, Christians hiding from persecution, sitting among friends and family members, shivered and wept, faint oil lamps easily extinguished by a draft or water droplet, the smell of death overpowering and fresh. The hallways shrink, frescoes intending to be cheerful fade, as the all-consuming darkness drains the life from them. A voice cries, “I need someone to lead us to the light.” Climbing up the stairs I feel the smell depart as I exhale, the darkness slide off my skin as I shrug, and the whispering fades behind as I cross the threshold between the two worlds. Then… warmth.
*Picture taken by me at Via Appia Antica inside the catacombs.
Sunday, 4 November 2012
Calling all Jane Austen fans!
A modern retelling of Pride and Prejudice in a vlog format?! Yes please! I was just recently introduced to Lizzie Bennet Diaries. You have to watch a couple of the episodes to get into it but if you are like me and love anything Austen related... you will love this :)
Give it a peek!
Give it a peek!
Palazzo Massimo
On Bus 64
Rome 2009
To the fool who wrote this verse.
It smells like B.O., the kind that knocks you out when the bus jerks to a stop.
Bodies collide,
They don’t glide, they don’t dance,
There’s nothing fantastical about bus 64.
By a sneaky, dirty, sleazy Italian man who only wears one shoe,
He thinks he’s so stealthy that I haven’t got a clue, but it’s not true, I do.
I burn him to a crisp with my fiery glare.
For, yes, I am still on bus 64 with (oh joy) 20 stops more.
Rome 2009
Please let it be a joke,
Played perfectly on April first,To the fool who wrote this verse.
Bus 64 is like a bag of melting gummy bears sitting in the
sun,
Sticky, sweltering, gluey and gross,It smells like B.O., the kind that knocks you out when the bus jerks to a stop.
Bodies collide,
They don’t glide, they don’t dance,
There’s nothing fantastical about bus 64.
Getting groped is the best part,
Oh yes… it is true,By a sneaky, dirty, sleazy Italian man who only wears one shoe,
He thinks he’s so stealthy that I haven’t got a clue, but it’s not true, I do.
I burn him to a crisp with my fiery glare.
Then I fly away to escape this ugly affair,
But when I open my eyes and peel my moist skin off from the
old woman grinning at me
with a rotting black tooth,
I grimace when I realize the cruel joke my mind played,For, yes, I am still on bus 64 with (oh joy) 20 stops more.
Saturday, 3 November 2012
Wildflower
What do you see?
A bee, a tree, a scraped knee?
Spring in CJ 2012
So small, you gleam
in the sunlight,
Swaying in the afternoon breeze.
A bee, a tree, a scraped knee?
Time shuffles by,
Paintings of elephants and angels
against colors of rust.
Your speckled frame illuminated in the remaining drops
of morning dew
soothe the red into an undemanding blue.
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